{"id":2911,"date":"2019-02-20T15:40:32","date_gmt":"2019-02-20T15:40:32","guid":{"rendered":"http:\/\/festivalursus.com\/?page_id=2911"},"modified":"2019-02-20T17:37:54","modified_gmt":"2019-02-20T17:37:54","slug":"a-taste-of-baroque","status":"publish","type":"page","link":"http:\/\/festivalursus.com\/?page_id=2911&lang=en","title":{"rendered":"Tastes of Baroque"},"content":{"rendered":"<p><a href=\"http:\/\/festivalursus.com\/wp-content\/uploads\/2019\/02\/Arcimboldo.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-2922 size-full\" src=\"http:\/\/festivalursus.com\/wp-content\/uploads\/2019\/02\/Arcimboldo.jpg\" alt=\"\" width=\"528\" height=\"640\" srcset=\"http:\/\/festivalursus.com\/wp-content\/uploads\/2019\/02\/Arcimboldo.jpg 528w, http:\/\/festivalursus.com\/wp-content\/uploads\/2019\/02\/Arcimboldo-248x300.jpg 248w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><\/a><\/p>\n<p style=\"text-align: center;\">&#8220;Sonata, Toccata, Arpeggiata, Canzone da sonar&#8221;: these are the first instrumental forms that we find at the dawn of the seventeenth century, compositions whose name still betrays a derivation from vocal music.\u00a0 Consequently appeared labels such as &#8220;sonata for one\/two or more voices and bass&#8221; and &#8220;sonata written for all sorts of instruments&#8221;. In the late Baroque the process has now been completed: each instrument has developed its own specific literature and even the musical forms have definitively freed themselves from the vocal style; with the &#8220;Corelliana&#8221; sonata in several juxtaposed and separated movements, the &#8220;Suite&#8221; of dances and the development of the &#8220;Concerto grosso&#8221; and the &#8220;Concerto&#8221; solo. An abundance of Music for every taste!<\/p>\n<p style=\"text-align: center;\">In this passage, or better in this real forge of music for instruments, the recorder was the great protagonist. We would even say the &#8220;prince&#8221; instrument among the winds, not coincidentally recipient of the first absolute treatise ever written dedicated to a musical instrument (Operaintitulata Fontegara &#8211; Venice 1535).<\/p>\n<p>&nbsp;<\/p>\n<p>Performed by:<\/p>\n<p><a href=\"http:\/\/festivalursus.com\/?page_id=2903&amp;lang=en\" target=\"_blank\" rel=\"noopener\">Giorgio Matteoli, recorders<\/a><\/p>\n<p><a href=\"http:\/\/festivalursus.com\/?page_id=2907&amp;lang=en\" target=\"_blank\" rel=\"noopener\">Luca Ambrosio, harpsichord<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Friday, 6th of September 2019, at 19h at the Medved homestead in Podkum<\/p>\n","protected":false},"excerpt":{"rendered":"<p class=\"post-excerpt\">&#8220;Sonata, Toccata, Arpeggiata, Canzone da sonar&#8221;: these are the first instrumental forms that we find at the dawn of the&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/festivalursus.com\/index.php?rest_route=\/wp\/v2\/pages\/2911"}],"collection":[{"href":"http:\/\/festivalursus.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/festivalursus.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/festivalursus.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/festivalursus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2911"}],"version-history":[{"count":9,"href":"http:\/\/festivalursus.com\/index.php?rest_route=\/wp\/v2\/pages\/2911\/revisions"}],"predecessor-version":[{"id":2942,"href":"http:\/\/festivalursus.com\/index.php?rest_route=\/wp\/v2\/pages\/2911\/revisions\/2942"}],"wp:attachment":[{"href":"http:\/\/festivalursus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2911"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}