{"id":2927,"date":"2019-02-20T16:07:03","date_gmt":"2019-02-20T16:07:03","guid":{"rendered":"http:\/\/festivalursus.com\/?page_id=2927"},"modified":"2019-09-08T08:44:53","modified_gmt":"2019-09-08T08:44:53","slug":"okusi-baroka","status":"publish","type":"page","link":"http:\/\/festivalursus.com\/?page_id=2927&lang=sl","title":{"rendered":"Okusi Baroka"},"content":{"rendered":"<p><a href=\"http:\/\/festivalursus.com\/wp-content\/uploads\/2019\/02\/Arcimboldo.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-2923 size-full\" src=\"http:\/\/festivalursus.com\/wp-content\/uploads\/2019\/02\/Arcimboldo.jpg\" alt=\"\" width=\"528\" height=\"640\" srcset=\"http:\/\/festivalursus.com\/wp-content\/uploads\/2019\/02\/Arcimboldo.jpg 528w, http:\/\/festivalursus.com\/wp-content\/uploads\/2019\/02\/Arcimboldo-248x300.jpg 248w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><\/a><\/p>\n<p style=\"text-align: center;\">&#8220;Sonata, Toccata, Arpeggiata, Canzone da sonar&#8221;: to so prve in\u0161trumentalne oblike, ki jih najdemo ob za\u010detku sedemnajstega stoletja. Kompozicije, katerih ime \u0161e vedno namiguje na izpeljanko iz glasbe namenjene za \u010dlove\u0161ki glas. Po\u010dasi se nato pojavijo poimenovanja, kot &#8220;sonata za enega\/dva ali ve\u010d glasov in bas&#8221; in &#8220;sonata, napisana za vse vrste in\u0161trumentov&#8221;. V poznem baroku se je proces zaklju\u010dil: vsak in\u0161trument je razvil svojo specifi\u010dno literaturo in celo glasbene oblike so se dokon\u010dno osvobodile glasovnega stila; s sonato &#8220;Corelliana&#8221; z ve\u010d kontrastnimi in lo\u010denimi stavki, &#8220;Suito&#8221; iz stiliziranih plesov ter razvojem &#8220;Concerta grossa&#8221; in solo &#8220;Concertov&#8221;. Obilje Glasbe za vsak okus!<\/p>\n<p style=\"text-align: center;\">V tem ustvarjalnem obdobju glasbe za in\u0161trumente je bila blokflavta veliki protagonist. Med pihali bi celo lahko rekli in\u0161trument\u00a0 &#8211; &#8220;princ&#8221;. Ni slu\u010dajno, da je bila v fokusu prve dizertacije, ki je bila kdajkoli posve\u010dena glasbenemu in\u0161trumentu (Operaintitulata Fontegara &#8211; Benetke 1535).<\/p>\n<p>Izvajata:<\/p>\n<p><a href=\"http:\/\/festivalursus.com\/?page_id=2905&amp;lang=sl\" target=\"_blank\" rel=\"noopener noreferrer\">Giorgio Matteoli, kljunaste flavte<\/a><\/p>\n<p><a href=\"http:\/\/festivalursus.com\/?page_id=2909&amp;lang=sl\" target=\"_blank\" rel=\"noopener noreferrer\">Luca Ambrosio, \u010dembalo<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>V petek, 6. septembra 2019, ob 19h na Doma\u010diji Medved v Podkumu<\/p>\n","protected":false},"excerpt":{"rendered":"<p class=\"post-excerpt\">&#8220;Sonata, Toccata, Arpeggiata, Canzone da sonar&#8221;: to so prve in\u0161trumentalne oblike, ki jih najdemo ob za\u010detku sedemnajstega stoletja. Kompozicije, katerih&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/festivalursus.com\/index.php?rest_route=\/wp\/v2\/pages\/2927"}],"collection":[{"href":"http:\/\/festivalursus.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/festivalursus.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/festivalursus.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/festivalursus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2927"}],"version-history":[{"count":7,"href":"http:\/\/festivalursus.com\/index.php?rest_route=\/wp\/v2\/pages\/2927\/revisions"}],"predecessor-version":[{"id":2976,"href":"http:\/\/festivalursus.com\/index.php?rest_route=\/wp\/v2\/pages\/2927\/revisions\/2976"}],"wp:attachment":[{"href":"http:\/\/festivalursus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2927"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}